2025 Summer Festival Concert Mahler–Symphony No. 10Tigran Arakelyan–Music Director

Saturday, July 26, 7:30pm

Shorewood Performing Arts Center
17300 Fremont Ave. 
Shoreline, WA 98133



Reading Sessions


Reading sessions allow musicians to explore the symphonic repertoire in an open  informal  setting with leading conductors.  These evenings are open to all interested musicians with no parts assigned and rotation within the wind sections strongly encouraged.

Shorewood High School
17300 Fremont Ave. North
Shoreline, WA 98133-5299
2025 Reading Session Dates
All Reading Sessions are from 7-10PM

Monday, June 16 – Reading 1 Shorewood Performing Arts Stage
Nielsen Symphony No.3
Laura Loge, Soprano
TBA, Baritone
Marcin Pączkowski, Conductor

Thursday, June 19 – Reading 2 Shorewood Performing Arts Stage
Mussorgsky, Night on Bald Mountain
Mussorgsky, Pictures at an Exhibition
Tigran Arakelyan, Conductor

Monday, June 23 – Reading 3 Shorewood Performing Arts Stage
Stravinsky, The Firebird - 1919  Edition
Paula Nava Madrigal, Conductor

Wednesday, June 25 – Reading 4 Shorewood Performing Arts Stage.
Tchaikovsky, Manfred Symphony
Joseph P. Scott, Conductor



About the Festival

The Northwest Mahler Festival was founded in 1995 by three Seattle area musicians, Dan Weiss, Robin Miller, and David McBride, to provide the opportunity for local area musicians, including serious avocational musicians, professionals, and talented students, to experience the large-scale Romantic works not generally accessible to smaller local orchestras, and to bring this music to the public.  This includes works for orchestra alone as well as for orchestra and chorus.

Since 1995, the NWMF has held open reading sessions each June to explore this literature.  Readings are open to all qualified musicians, and draw as many as a hundred participants from throughout the Seattle region and beyond. While family and friends are welcome to come and listen, the readings are not performances. Rather, each session is spent exploring a given piece of music for the musical growth and enjoyment of the participants. Readings to date have included the symphonies of Gustav Mahler as well as major works by a range of Romantic and other composers including R Strauss, Bruckner, Shostakovich, and others.  A wider range of music including major works by Britten, Honegger, Nielsen, Stravinsky, Szymanowski, and others has also been explored.  The readings have also included sessions devoted towards exploring new music for large orchestra by local area composers.   In addition to allowing local area musicians to experience these works, the reading sessions provide a unique opportunity for local and regional area conductors.  The NWMF has also been privileged to have attracted a number of nationally and internationally known conductors.  A list of all reading sessions and conductors is provided in the past event section.
Building on the success of the readings, the NWMF held its first public concert in July 1996. For that inaugural concert, Roupen Shakarian led the NWMF Orchestra in a performance of Mahler’s Symphony #1 in addition to works by Wagner and R. Strauss.  This was followed by yearly performances each July covering a range of works not usually encountered in the Seattle area.  Notable performances include Mahler’s 8th Symphony, (the Symphony of A Thousand) in July 2000 and also Messaien’s Turangulila in September 2007 both under the baton of Music Director Emeritus Geoffrey Simon.

The NWMF has also presented several benefit performances to aid in local and global charities including a recent benefit for Northwest Harvest and a concert to raise relief money for the 2010 Haiti earthquake.

The Northwest Mahler Festival is free to all musicians and no fees are required for participation. We are a 501(c)(3) non-profit organization dependent on donations to help cover expenses, and hope that you will support the NWMF in its continuing mission.



Board of Directors

Mark Lloyd – President
Shari Muller-Ho –
Vice-President
Charlene Utt – Secretary
Martha Lipscomb
– Treasurer
Tigran  Arakelyan – Music Director
Emily Parkhurst



Our mission:

To create an opportunity for orchestral instrumentalists and chorus members in the Northwest to experience first-hand the larger, more difficult orchestral pieces, through readings, performances, workshops, seminars, master classes and other informative means;

To encourage and facilitate relationships between the Northwest’s community, student and professional orchestras and choruses, their organizations and memberships, and the community at large;

To provide an enjoyable and enriching musical experience for all participants.


Tigran Arakelyan

Tigran Arakelyan is an Armenian-American conductor, executive director, radio host, podcaster and producer. He is the Music Director of Northwest Mahler Festival, ORS of Tacoma and Artistic Director of  Port Townsend Symphony.  Tigran is also the Executive Director of Music Works Northwest. Previously, he was the assistant conductor of California Philharmonic and made his Walt Disney Concert Hall conducting debut in 2019. Tigran played alongside Sir James Galway during Galway’s induction into the Hollywood Bowl Hall of Fame with the Hollywood Bowl Orchestra. He received awards from The American Prize in Programming and the Global Music Awards for podcasting.

He held conducting positions with the Los Angeles Youth Orchestra, Bellingham Symphony, CSU Northridge Youth Philharmonic, Whidbey Island Orchestra and the Bremerton Youth Symphony.  During his tenure as Music Director of Federal Way 

Youth Symphony and Bainbridge Youth Orchestras; the organizations reached their highest enrollment, added multiple ensembles, premiered pieces and collaborated with dance companies and choirs. Tigran led the Federal Way Youth Symphony on three tours to South Korea, conducting in Seoul, Busan, Jeju, Daejeon, Gwangju, among other cities.

He conducted regional premieres by renowned composers Paul Hindemith, Keith Jarrett, Jovino Santos Neto, Brenno Blauth, Jeff Manookian and James Cohn. Since 2009, Tigran has taken orchestras to unconventional venues, from bars and cideries to cafes and homeless shelters. He has initiated and is a founder of the Port Townsend Chamber Orchestra,  Bainbridge Island String Festival, PTSO Young Artist Competition, Whidbey Competition for Young Composers, Cadence Chamber Orchestra (WA), Youth Orchestra at Lark Musical Society (CA) and numerous scholarship/grant and funding initiatives.

During his time at the University of Washington, he was the conductor of the Campus Philharmonia and the UW Summer Orchestra. Tigran has conducted the Fort Wayne Philharmonic, Olympia Chamber Orchestra, numerous youth orchestras in South Korea, Armenian Pops Orchestra, Juneau Symphony, Ballard Civic Orchestra, Bainbridge Symphony, Inverted Space Ensemble, Lark Orchestra (CA), Yakima Symphony Chamber Orchestra and innovative collaborations with the Olympic Performance Group and Olympic Youth Choir.

Tigran is a three time awardee of the Armenian General Benevolent Union Performing Arts Fellowship. He participated in the Conductors Guild Workshop, Pierre Monteux School and Music Festival, Idyllwild Music Festival and Dilijan Chamber Music Series, among others. Tigran conducted in masterclasses with notable conductors David Loebel, Frank Battisti, Donald Thulean, Michael Jinbo and David Effron.  

Invited by Maestro Ludovic Morlot, Tigran earned the Doctor of Musical Arts in conducting from the University of Washington where he was the first student in the inaugural class of David Rahbee and Morlot. His mentors are Victor Vener, John Barcellona, Paul Taub, and Laura Osborn. In his youth he played in the Los Angeles Junior Philharmonic Orchestra and attended Lark Musical Society.

Outside of conducting, he was a host and producer of Exploring Music, a radio show on KPTZ (91.9FM).  An active podcaster since 2012, he most recently hosted and produced Let’s Talk Off The Podium (140+ episodes). Tigran interviewed winners of Grammy Awards, the Pulitzer Prize, MacArthur Fellow, Rome Prize & the Polar Music Prize. Past guests include: Evelyn Glennie, George Walker, Mark O’Connor, Christian McBride, David Harrington (Kronos Quartet), JoAnn Falletta, Richard Stoltzman, Sharon Isbin, Vijay Iyer, Christopher Theofanidis, Yolanda Kondonassis, Roger Bobo, and a long list of others.


Joseph P. Scott

Joseph P. Scott (he/him) serves as Assistant Professor of Instrumental Music at Pierce College. In this position, Joseph conducts the Pierce College Concert Band and Orchestra and teaches courses in music theory. Prior to this appointment, Joseph taught at Saint Martin’s University in Lacey, WA where he directed the Wind Ensemble and taught courses in music education and music theory. While in his first year on faculty at SMU, Joseph was nominated for Faculty of the Year (2022-2023) for “excellence in teaching, high standards and rigor in the classroom, high expectations for student performance, and high level of empathy and concern for student growth and development.” Joseph serveas conductor of the College of the Holy Cross Orchestra & Wind Ensemble and assistant conductor of the University of Maryland’s Wind Orchestra and Wind Ensemble. Joseph served as music director and conductor of the Maryland Community Band based in College Park, MD. Joseph was recently a guest conductor with the University of Maryland Repertoire Orchestra and frequently serves as a guest conductor and adjudicator in Washington, California, Maryland and internationally for solo and large ensemble festivals, as well as honor bands. Before starting at the University of Maryland, Joseph was the Director of Instrumental Music at Clayton Valley Charter High School in Concord, California, where he was responsible for conducting the Wind Ensemble, Symphonic Band, Orchestra, Jazz Band, and Marching Band, as well as instructing Advanced Placement Music Theory. Joseph also taught at Mount St. Mary’s University where he directed the Pep Band and was a guest conductor of the wind ensemble.

Dr. Scott’s research on 20th-century composers Arthur Meulemans and Paul Hindemith have recently received international recognition, with conference presentations at the World Association of Symphonic Bands and Ensembles (WASBE) in Prague, Czech Republic and the International Conference on Wind Music (IGEB) in Bolzano, Italy in 2022 and Valencia, Spain in 2024. Joseph’s article “Exploring the Harmonic Wedge” was published in the peer-reviewed journal Estudios bandisticos in 2020. Joseph has also presented at both national and regional College Band Directors National Association (CBDNA) conferences in Atlanta, Georgia and Baltimore, Maryland.

In 2019, the American Prize selected Joseph as the Ernst Bacon Award Honorable Mention for his performance of Adolphus Hailstork’s American Guernica. This award “recognizes and rewards the best performances of American music by ensemble and individual artists worldwide…”. Joseph was selected as a semi-finalist for the 2019 American Prize in wind conducting and was also selected as a semi-finalist in 2018. Joseph was a tier one conductor for the 2017 Frederick Fennell Memorial Conducting
Masterclass at the Eastman School of Music where he worked with Mark Scatterday, Donald Hunsberger, and Craig Kirchhoff. Other conducting teachers include David Neely, Jose Luis Novo, James Ross, and Matthew Hall.

Joseph completed a Doctor of Musical Arts and a Masters of Music in conducting from the University of Maryland where he was a student of Michael Votta. Joseph earned his Bachelor of Music in Music Education from the University of Oregon where he studied with Dr. Wayne Bennett and Robert Ponto. While at the University of Oregon, Joseph was a founding member of the university’s chapter of Kappa Kappa Psi. After graduating, he returned to San Francisco where he received his teaching credential from San Francisco State University. During his time 
at SFSU, Joseph was on staff at the Ruth Asawa

School of the Arts where he conducted the Concert Band and taught Music Theory and Survey classes.
Joseph is a member of the College Band Directors National Association and the National Association for
Music Education. He served for three years as a board member of the California Music Educators
Association-Bay Section.

While in the Bay Area, Joseph kept an active schedule playing the clarinet, performing with the Contra
Costa Chamber Orchestra, Chabot Wind Symphony, Golden Gate Park Band, and the San Francisco Wind
Ensemble, which performed at the World Association of Symphonic Bands and Ensembles in 2015 and
recorded its inaugural CD at Skywalker Ranch in 2014.